I have very fond memories of sharing tissues with a girl from Denmark in a Broadway theater in New York City as we both cried over Eponine and Marius’ duet, A Little Fall of Rain. I did not know her name, we were complete strangers, but we had one thing in common. We both loved the musical, Les Miserables.
Les Miserables on Broadway
For those of you not familiar with the Tony Award-winning Broadway musical, Les Miserables is based on Victor Hugo’s classic novel. It tells the tale of Jean Valjean, who was sentenced to hard labor as a galley slave for stealing a loaf of bread. This story of redemption, revolution, justice, duty, and love was set to music in 1985 by Alain Boublil and Claude-Michel Schoenberg.
Les Miserables won eight Tony Awards (Best Musical, Best Book, Best Score, Best Director, Best Featured Actress in a Musical, Best Featured Actor in a Musical, Best Set Designer, and Best Lighting Design), toured around the world and performed in 21 languages.
Yet this beloved musical had never been made into a movie. Why? Well, first of all, it is long. It was a miracle of science to transform Hugo’s 1300 page book into a 3-hour stage show. But a 3-hour movie?
Also, the show is all singing and the lead character, Jean Valjean is on stage in almost every scene. How could you possibly make a movie out of this show without making major changes and making enemies of the millions of Les Mis fans? Where could you find the right actors who can also sing?
Les Miserable The Movie
Les Miserables combines three of my favorite things: a good love story, musical theater, and Hugh Jackman all into one fantastic ball of wonderfulness. The movie version of the Tony Award-winning Broadway hit, with an all-star cast, including Hugh Jackman, Anne Hathaway, Russell Crowe, Amanda Seyfried, and Eddie Redmayne.
Set in 1815 France, Les Miserables opens with an almost unrecognizable Hugh Jackman as Jean Valjean and a hundred other prisoners, pulling a massive ship in the driving rain. The song Look Down conveys the misery of their condition.
Tom Hooper, director of The King’s Speech has taken on the task. Needless to say, my anticipation was high. Like I say I have fond memories of seeing the show on Broadway, as well as four more times on stage and reading the unabridged version of Hugh’s novel. I have lost count of how many times I have listened to the soundtrack (Les Miserables Complete Symphonic Recording), yeah…I know ALL the lyrics.
When I heard that they were making a movie of my beloved Les Mis, I was worried. I thought back to the fiasco of A Chorus Line movie (eek!), the unfulfilled promise of Tim Burton’s Sweeney Todd and countless other movie musicals where the director tried to expand the or otherwise ‘jazz up’ the stage version to fill up the big screen.
Fortunately, director Tom Hooper knew better. The changes he made to the lyrics and to the plot were often additions for the original novel and were quite minor. Also, Boublil and Schoenberg wrote a supplemental music and an additional song, called Suddenly. (Got to have something for that Original Song nomination.)
This is my review of Les Miserables. There are spoilers and lots of them.
Hugh Jackman as Jean Valjean
This is the part of a lifetime for Jackman. It not only calls upon his acting talents, taking him from a wretched prisoner to a businessman, town mayor and to a loving father. But he also sings some of the most beautiful and most moving songs ever sung on the Broadway stage.
You know what a fan of Hugh’s I am. Wolverine, notwithstanding, Hugh Jackman is a multi-talented performer and Les Miserables prove it. His performance of the touching What Have I Done, gives you insight into the transformation of the harden convict to the man of redemption.
Hugh Jackman is almost unrecognizable as Jean Valjean, the convict sentenced to 19 years as a galley slave for stealing a loaf of bread. He goes from a convict with horrible teeth and a really bad haircut to a respectable businessman, and ages almost 20 years over the course of the movie.
Hugh carries most of the movie on his back since Jean Valjean is on almost every scene and sings a good part of the score.
In songs like ” “Who Am I” and “Bring Him Home” Hugh proves that he is much more than a pretty face (and some amazing muscles).
In the opening scene, the convicts sing “Look Down” as Inspector Javert looks down on them both physically and morally.
A man with an extremely strict moral code, Javert’s view of the law allows no room for repentance or redemption. Russell Crowe would not have been my first choice as the relentless Inspector Javert.
His voice is not the strong baritone that I heard on my soundtrack. Some say he carried off the role very well by the strength of his acting. But after a while his singing was so bad it became distracting.
One of my favorite songs in the show is Stars. Javert sings about his pursuit of justice and his adherence to a moral code that is unbreakable. The scene of Crowe standing on the precipice of a Paris rooftop, looking out into the city for the escaped convict, Valjean more than makes up for his lack of vocal ability.
What makes the movie version different from the stage version is the emphasis on the actor’s emotions.
Like I said, almost all of the dialogue is sung. Tom Hooper made the revolutionary decision to film the actors singing their roles live, instead of lip-synching to pre-recorded soundtracks.
And unlike every other movie musical in history where the actors prerecorded their songs and lipscyned to the songs on screen, Hooper had his actors perform their songs live on set, adding in the full orchestration in post-production.
The results are breathtaking!
In Fantine’s I Dreamed A Dream, Anne Hathaway sings about this young girl’s disappointed hopes and dreams with such emotion that I was not the only one in the audience who was brought to tears.
In fact, I think Anne should go ahead and start shopping for her Oscar dress because her performance as Fantine is sure to get her a nomination.
Cosette, Eponine, and Marius: The Love Triangle
Set against the backdrop of social change, poverty, and revolution, a love triangle develops. The little girl on all of the Les Mis posters is Fantine’s daughter, Cosette. She grows into a lovely young woman, played by Amanda Seyfried.
Her duet with Eddie Redmayne (My Week With Marilyn) is sweet and tender. You can even see a butterfly fluttering on the fence as they sing A Heart Full of Love, with poor street urchin, Eponine in the background, singing about her unrequited love for Marius.
Get your tissues ready when Eponine, played by Samantha Barks sings On My Own and A Little Fall of Rain. Samantha played the role of Éponine in the West End production of Les Misérables and in the 25th Anniversary Concert of Les Misérables at the O2 Arena in 2010.
Grab another tissue for Eddie Redmayne’s teary-eyed Empty Chairs and Empty Tables. I had no idea that he could sing, but he has a really good voice. I don’t generally like gingers (redheads), but he is kind of handsome. I will keep my eyes on his future films.
Les Miserables has its share a tear-jerker moments. But there are a few comic moments too. Madame and Monsieur Thenardier are two of the most wretched, dishonest and despicable people ever to grace the stage or screen.
The worst inn-keepers in France are played to perfection by Sasha Baron Cohen and Helena Bonham-Carter.
This is one area where the movie excels over the stage version. The facial expressions and little nuances, especially from Sasha Baron Cohen make Thenardier more than just a characterization.
Other Supporting Parts
You will also take enjoy Aaron Tveit, who plays the leader of the student revolutionaries, Enjolras. You can’t help but sing along as he leads the revolt with Do You Hear the People Sing?
Young Daniel Huttlestone (Into the Woods) is at the same time mischievous and endearing as Gavroche.
Sets and Cinematography
Danny Cohen’s cinematography was stunning, aided by the authentic full-sized sets that were built just for the film.
The production team, including the costume designers, make-up artists, and set designers paid such close attention to detail that you felt as though you are in 19th century Paris. With Hooper using the close-up lens so freely during several of the solo performances, you could see every pore and all of their dental work. I have to wonder how many sets of rotten convict teeth they made for this movie.
Even so, in certain scenes like Redmayne’s Empty Chairs and Empty Tables, it was quite effective as you see the tears swell in his eyes.
The Final Word: I loved it. In fact, I saw it three times. Was it perfect? Maybe not. For a die-hard Les Mis geek like me, it would be hard to make the perfect movie.